Louis Armand is the Director of the Centre for Critical & Cultural Theory at Charles University, Prague. His books include The Organ-Grinder’s Monkey (2013) and the novel Breakfast at Midnight (2011) described by 3:AM magazine’s Richard Marshall as “a perfect modern noir”.
(image) David Lynch, Inland Empire (2006)
IN SUSPENSE OF THE REAL: CRONENBERG | GILLIAM | LYNCH
In his “Dialectics of the Fable” (2000), Alain Badiou discusses a series of films, Cube (1997), The Matrix (1999) and David Cronenberg’s eXistenZ (1999), as philosophical machines. These are films that, in Badiou’s estimation, both reflect upon and in a sense encapsulate a set of “problems” – what we might call disturbances in the psycho-social fabric of the medium – disturbances that not only point to a crisis, but are themselves critical. Concerned with the status of the “Real,” these films are necessarily both self-reflexive and projective in a way that subverts the…
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