The Ontologies of Resistance from Senselogic to Cybersense

All your data, all your base... This study is a venture into the relationship between humanities/social sciences and the emerging technologies such as the software programs extracting and analysing Big Data in all its complexity. The name given to these complex data sets constituted by an inordinate measure of raw data intense in variety, massive... Continue Reading →

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A Pineal Eye Soliloquy, or, The Critique of Surrealism Continued

Mimicry is a definitive word for the operations of Surrealist aesthetics and it enters the scene through the Surrealist publication Minotaure. Roger Caillois defines mimicry as the activity through which the eye becomes a camera reproducing itself as a camera. […] life seems to lose ground, to blur the line between organism and environment as... Continue Reading →

“Where would I go, if I could go, who would I be, if I could be, what would I say, if I had a voice, who says this saying it’s me?” (Beckett – 2)

Answer simply. It’s the same old stranger as ever, for existence, of his, of ours, there’s a simple answer. It’s not with thinking he will find me, but what is he to do, living and bewildered, yes, living, say what he may.[1] Yes, there are moments, like this moment, when I seem almost restored to... Continue Reading →

Artaud, Deleuze and The Will to Nothingness

I close the eyes of my intelligence, and giving voice to the unformulated within me, I offer myself the sense of having wrested from the unknown something real. I believe in spontaneous conjurations. On the paths along which my blood draws me, it cannot be that one day I will not discover a truth.[1]                     ... Continue Reading →

The Subject of Art – Alain Badiou

My Father was accustomed to say, "we must begin by the beginning." So, I must begin this lecture about the subject of art by its beginning. But, what is this beginning? I think we have to begin with the oldest question—the question of being, the question of being as being, of being qua being. What... Continue Reading →

The Method and Consequences of The Life Death Drives

If one reads the writings on film and literature in this thesis with the conscious naivety of their plot based critique in mind, one can sense the underlying current of humour and the erratic undertone of irony, both of which knock down the serious tone of the critique based on a linear reproduction of a circular plot – as we see in the investigation of David Lynch’s Mulholland Drive for instance.

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