“This essay will explore the philosophical relationship between the idea of hyperstition and Deleuze’s work in a particular way. Specifically, it will focus on a single definition of hyperstition, and one chapter from Deleuze’s book Difference and Repetition (2014, orig. published 1968). In “The Image of Thought”, Deleuze seeks to trace the ontology of thought itself, by asking the question of how thought comes into being. Superficially, this question resembles the question concerning the mechanics of hyperstitional narratives’ supposed coming-into-reality. There are four major objectives to this essay. Two of these will be achieved in Part 1 of this essay (this part), with the other two being the subject of Part 2. The first objective is to establish the precise underpinnings of the 1999 definition of hyperstition. Secondly, a chapter from Deleuze’s own book with Guattari, A Thousand Plateaus(1987: orig. published 1980), will be examined, in order to establish this chapter as an early example of a text that meets several of the criteria for hyperstition. The third objective of the essay will be to show how this precise iteration of Deleuze’s image of thought inhibits original thinking. From this, we can infer Deleuze’s usage of words such as “image”, and what they might mean for hyperstitional becoming. The final objective of the essay is to attempt to utilise the tools of Deleuzianism identified up to this point to critique the process of hyperstition as it is claimed in its definition: as a fiction making itself real.”
by Joshua Carswell on October 18, 2017
This is the first of a two-part essay. Part 2 can be found here.
The term hyperstition was coined by the partially-anonymous Ccru (Cybernetic Culture Research Unit) in the late 1990s, to refer to a specific instance of the relationship between fiction and reality. Many of the early […]