S.C. Hickman on J.G. Ballard: Icarus and the Dying Fall into Nothingness

“For Bataille, the reason why people see the foot as inferior to the head is their habit of attributing a higher status to the vertical forms of thought. Man should fall on his four legs, otherwise he will never be able to write himself out not only as the writer but also as the written, not only as the seer but also as the seen.” – Cengiz Erdem

J.G. Ballard in the final story of his illustrious career let his protagonist utter the words of a man who was still haunted and defeated by the power of the natural life-death drives: “I escaped, but that expression of triumph on Elaine’s face still puzzles me. Had she seen me pushing against the tower and assumed that I was responsible for its collapse? Was she proud of me for hating her so fiercely, and for at last stirring from my impotence to take my revenge? Perhaps only in her death did we truly come together, and the Tower of Pisa served a purpose for which it had waited for so many centuries.” [1]

The irony here of course is that there is no escape, nature and woman will have their way against the maddening hatred of her fiercely bitter and impotent son and ritual mate. Like some broken sexual object, the tower leans across the shadowy lives of husband and wife, revealing not so much the underlying geophysical dilemmas of our terrestrial plight, but of the vanity of all human aspiration to attain geometric verticality against the gravitas of earth’s spinning foam. For all things must fall toward the earth sooner or later. Even transgressors such as Icarus or Ballard’s wife killer. As Nick Land once said “The truth of transgression, at once utterly simple and yet ungraspable, is that evil does not survive to be judged.” [2]…Read More

via Dark Chemistry

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