PhD Scholarship Opportunity – Deleuze and the Theatre of Samuel Beckett

a very rare picture of samuel beckett… maythemusic:  en attendant… rions un peu avec Samuel Beckett

 Principal Supervisor: Laura Cull

As Beckett scholar, Mary Bryden has noted, Gilles Deleuze’s philosophical engagement with Samuel Beckett’s work is particularly focused on his early novels and latterly with his television projects, rather than on the stage plays for which Beckett is best known to theatre scholars, such as: Waiting for Godot, Happy Days and Krapp’s Last Tape. Known for his antipathy towards spectatorship of live theatrical events, Deleuze ignores these canonical plays in favour of analyzing lesser-known works such as the novel Molloy and the television play, Quad. Correlatively, there are few examples in current scholarship – either theoretical or practical – of Deleuzian approaches to Beckett’s theatre. We would be pleased to accept proposals from suitably qualified candidates who are interested in exploring the implications of Deleuze’s philosophy – beyond his specific commentaries on Beckett – for understandings of Beckett’s theatre. In turn, the project may wish to consider how Beckett’s own theorization of his theatre practice might feedback onto understandings of Deleuze. The project may be designed to culminate in a purely written thesis or in both practical and written outcomes. To apply, please use the online ‘Studentship Application Form’ (found at http://www.northumbria.ac.uk/sd/academic/sass/sasspg/pgfeedic/) and submit to Scott Burdon at az.pgr@northumbria.ac.uk
Informal enquiries are welcome – for further details please contact Dr Ysanne Holt (ysanne.holt@northumbria.ac.uk)
Deadline for applications is Friday 29 October 2010
Interviews will be held week commencing 22 November 2010

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