Posts Tagged: Cronenberg
Passing Across The Dead Zone and Moving Towards The Dread Zone
It is early 1974, “in Washington, Richard Nixon was being pressed slowly into a corner, wrapped in a snarl of magnetic tapes. […] In Room 619 of the Eastern Maine Medical Center, Johnny Smith still slept. He had begun to
Passing Across The Dead Zone and Moving Towards The Dread Zone
It is early 1974, “in Washington, Richard Nixon was being pressed slowly into a corner, wrapped in a snarl of magnetic tapes. […] In Room 619 of the Eastern Maine Medical Center, Johnny Smith still slept. He had begun to
The Correlation Between Freud, Cronenberg, Identical Twins, Gynecology and Videodrome Tapes
Dead Ringers With Dead Ringers (1988) Cronenberg shows the consequences of an attempt to get rid of the space between the me and the not me. The illusory absence of difference between Mantle twins Beverly and Elliot is their own
The Correlation Between Freud, Cronenberg, Identical Twins, Gynecology and Videodrome Tapes
Dead Ringers With Dead Ringers (1988) Cronenberg shows the consequences of an attempt to get rid of the space between the me and the not me. The illusory absence of difference between Mantle twins Beverly and Elliot is their own
David Cronenberg on Andy Warhol (Audio)
David Cronenberg – Introduction David Cronenberg – National Velvet, 1963 – Empire, 1964 – Andy Warhol by Robert Mapplethorpe, 1986 David Cronenberg – Troy Diptych, 1962 David Moss, David Cronenberg, Dennis Hopper, Amy Taubin, James Rosenquist – Couch, 1964
David Cronenberg on Andy Warhol (Audio)
David Cronenberg – Introduction David Cronenberg – National Velvet, 1963 – Empire, 1964 – Andy Warhol by Robert Mapplethorpe, 1986 David Cronenberg – Troy Diptych, 1962 David Moss, David Cronenberg, Dennis Hopper, Amy Taubin, James Rosenquist – Couch, 1964
Cronenberg, Burroughs, Deleuze (1) – Naked Lunch and The Body Without Organs
organ without a body The Naked Lunch I am concerned with here is David Cronenberg’s film about William Burroughs’ writing process of Naked Lunch. The film, rather than being a direct adaptation of the novel, is a distillation of Burroughs’s
Cronenberg, Burroughs, Deleuze (1) – Naked Lunch and The Body Without Organs
organ without a body The Naked Lunch I am concerned with here is David Cronenberg’s film about William Burroughs’ writing process of Naked Lunch. The film, rather than being a direct adaptation of the novel, is a distillation of Burroughs’s
Cronenberg, Burroughs, Deleuze (2) – The Evil Spirit and The Spiritual Automaton
The Evil Spirit and The Spiritual Automaton It is a recurrent theme in science-fiction-thriller movies that in time humanity turns into the slave of its own creation, namely of machines. It is precisely because of this fear of being replaced
Cronenberg, Burroughs, Deleuze (2) – The Evil Spirit and The Spiritual Automaton
The Evil Spirit and The Spiritual Automaton It is a recurrent theme in science-fiction-thriller movies that in time humanity turns into the slave of its own creation, namely of machines. It is precisely because of this fear of being replaced
Cronenberg, Burroughs, Deleuze (3) – From Metaphor and Towards Metamorphosis
From Metaphor and Towards Metamorphosis With Deleuze the Cartesian mind-body dualism has been replaced by body-language dualism. Without being too insistent about it at this stage I would like to hint at where the relationship between these dualisms is heading.
Cronenberg, Burroughs, Deleuze (3) – From Metaphor and Towards Metamorphosis
From Metaphor and Towards Metamorphosis With Deleuze the Cartesian mind-body dualism has been replaced by body-language dualism. Without being too insistent about it at this stage I would like to hint at where the relationship between these dualisms is heading.
The Subject Turning Against Itself
Cengiz Erdem With Dead Ringers (1988) Cronenberg shows the consequences of an attempt to get rid of the space between the me and the not me. The illusory absence of difference between Mantle twins Beverly and Elliot is their own
The Subject Turning Against Itself
Cengiz Erdem With Dead Ringers (1988) Cronenberg shows the consequences of an attempt to get rid of the space between the me and the not me. The illusory absence of difference between Mantle twins Beverly and Elliot is their own


Ahkâmlar/Speculations